lionel Fahy Out Of Step

24.10.24

COMPLET / FULLY BOOKED!

COMPLET pour la fin 2024
Fully BOOKED for 2024.
Pour un rendez-vous en 2025/ for booking on 2025:
lionel.fahy@gmail.com

3.10.24

25.9.24

23.9.24

2.9.24

PARIS 2025

Paris 2025.

Pour un rendez-vous / for booking:

lionel.fahy@gmail.com

20.8.24

New projects available in Paris or Burgundy

17.5.24

2 0 2 4 DATES FULLY BOOKED

Two locations on 2024 & 2025.

Deux lieux en 2024 et 2025.

Paris (les Derniers Trappeurs)

and Burgundy, near Avallon

(two hours away from Paris, one hour from Dijon,

3 hours from Lyon, Swiss and Germany).

Paris (les Derniers Trappeurs)

et en Bourgogne, près de Avallon

(à deux heures de Paris,

une heure de Dijon, 3 heures de Lyon, de la Suisse et de l'Allemagne).

contact: lionel.fahy@gmail.com

Ecrivez-moi pour être le premier ou la première informée des nouvelles dates disponibles pour 2025

Write me to receive the next dates available on 2025

lionel.fahy@gmail.com

30.4.24

Aurore from Dunedin, New Zealand

Aurore did a massive trip from Dunedin, New Zealand,

to Paris to make her project come true

and also visit her parents and to do some sightseeing as a tourist...

Thank you so much for this date with me!

Such a great and pleasurable project!

24.3.24

You are unique, live in a unique environment!

FOR SALE
Nouvelle série de dessins à l'encre de Chine,
sur papier Velin d'Arches, 250 grammes, 56X76cm.

Ce ne sont pas des reproductions, ni des sérigraphies, mais bien des oeuvres uniques.
Elles font partie d'un projet de 100 oeuvres qui seront regroupées dans un livre à paraitre probablement en 2025.

Le prix est de 450 euros port compris pour la France et l’Europe.

500 euros pour le reste du monde.
Certains dessins sont déjà vendus et ont trouvé un nouveau domicile,
donc le plus simple est de m'envoyer un mail:

lionel.fahy@gmail.com

New art on paper.
Using china ink and for some of them including charcoal, it is on a 250 grammes paper
Velin d'Arches, 56X76 cm.

Those are not prints or posters, but unique pieces of art!

The price is 450 euros postpaid for Europe and 500 euros for the rest of the world,
but some of them are already gone to collectors.
The best way is to send me an email for any request to:
lionel.fahy@gmail.com
It is time to start a new collection!

22.3.24

T.O.U.R.S

17.3.24

TYPHAINE

13.3.24

Thomas aus Stuttgart, Germany

10.3.24

Magali de Paris

Merci pour ce beau projet!

8.3.24

N.A.N.T.E.S

6.3.24

RIDING FROM PRAG TO PARIS FOR HIS TATTOO!

Unfortunately i didnt find his name! I am so sorry about that.

But the fantastic story behind those tattoos is that he is a journalist in sport and bicycles.

And for this project, he has ridden his bike from Prag, in Czech Republic to Paris, in France! Such a crazy determination for this super cool moment!

3.3.24

Spring is coming

Spring is coming soon!

Memories are coming back, lost and found pictures too!

We start to re open the windows, let the fresh air coming inside,

taking care of our beloved,

time flies and we are still in love with life,

breathing, loving our families, friends,

our art projects together!

Thank you for following this blog!

21.2.24

Collecting unique artwork for your home!

FOR SALE
Nouveau dessin à l'encre de Chine,
sur papier Velin d'Arches, 250 grammes, 56X76cm.

Ce n'est pas une reproduction, ni une sérigraphie, mais une oeuvre unique.

Le prix est de 450 euros port compris pour la France et l’Europe.

500 euros pour le reste du monde.

lionel.fahy@gmail.com

New art on paper.
Using china ink and for some of gold leaves, it is on a 250 grammes paper
Velin d'Arches, 56X76 cm.

This is not a print or poster, but a unique piece of art!

The price is 450 euros postpaid for Europe and 500 euros for the rest of the world,

For any request to:
lionel.fahy@gmail.com

It is time to start a new collection!

20.2.24

DREAMLIKE – AGAMFAHY & JANECKÝ GLASS exhibition in Prag, Czech Republic from February 26th to April 26th 2024

DREAMLIKE – AGAMFAHY & JANECKÝ GLASS

Take French tattoo artist Lionel Fahy, his wife Tal Agam
(the couple jointly known as “AgamFahy”),
and Czech glass artist Martin Janecký.

The resulting combination of works is perhaps most aptly labelled as "tattoo glass." This AgamFahy infusion of tattoo art ideas into the world of glass comes courtesy of one of the most renowned figures in this field, and a pioneer of French New Wave tattoo art.

An artistic mismatch? Far from it.

Tattooing has long been regarded as a significant contemporary social and cultural phenomenon within the art community, as evident in its inclusion at prestigious global visual art events such as the Venice Biennale.

Yet, despite such recognition, tattooed glass is nonetheless still presented as being essentially banal, replicating the kind of displays we see on human skin, in this case merely transposed onto common mass-produced glass.

One could interpret such a transference as a marketing trick, merely designed to attract fans of tattooing and in the process to sell countless extra units of utility drinking and decorative glassware.

Which helps explain why this show avoided any title along these lines. In the context of the Agam-Fahy-Janecký trio's work, this represents a stark contrast: the production of singular art pieces versus the development of innovative forms of bespoke glass art.

This includes studio glass that emanates both aesthetic significance and artistic meaning. The unique works are the result of a confluence of collaboration between three individual artists. All three of these professionals chose to step out of their comfort zones for the sheer thrill of taking up a new challenge.

Which helps to explain why they act as artistic pioneers in the new fields of expression that they encounter. The standard, albeit ever more eccentric tattooing, as seen daily on the bodies of an increasing number of our fellow citizens, are a far cry from the experimentation evident in the works of this creative trio.

This is a form of independent creative thinking that unifies a tattoo artist, a designer, and an equally renowned glass artist. The Agam-Fahy-Janecký trio have been personal friends for years, reflecting their generation’s appreciation for punk culture, and the wider artistic output of variegated cultures.

They all are visionaries of a sort, breaking through boundaries of conventionality, both in their regular fields of expression, and well as via such pioneering collaborations.

“If you want to keep developing, you need to travel,” explained Lionel Fahy in a video documentary by filmmaker Jan Dufek (Jan Dufek, Lionel Fahy v Praze 2022). This trio certainly more than fulfils that, having travelled half-way round the globe, while also sharing a fondness for the Czech capital, Prague – where one of them lives permanently, while the other two have visited a dozen times. Indeed, travel is also responsible for the trio’s ultimate collaboration.

 The initial encounter took place when Martin Janecký was living and working in Alaska. During their second meeting in Paris, they made a promise to collaborate someday. Even though they saw each other relatively frequently during the intervening years, it wasn't until a decade later that the trio actively commenced work on a specific project at Janecký's studio in Prague.

The resulting works derive from hand-drawn sketches by Fahy, which Janecký then cleverly transposes into a three-dimensional form. The art objects have generated real value, both in terms of creative output, as well as glass artistry.

After all, transposing sketches onto glass requires both exquisite craftsmanship and creative vision. All three of these artists collaborate in symphony to produce the ultimate result.

Cultivated personal relationships, coupled with a merging of artistic minds, has led to works that exude a kind of apocalyptic dreamlike vision spanning many cultures – leading to the creation of visual epics, and even psychedelic visions, where dreams stand above reality, and where dreams unveil more than the real world ever could.

January 2024, Prague
Sylva Petrová